With Regard to the Publishing Venture

neoNuma Arts has, for intents and purposes, has ceased to exist as a publishing venture. The neonuma.com website no longer exists and I may not bring it back. It sort of slipped out of existence when I was preoccupied with other things and not sure when or if I'll get it back.

The books that neoNuma Arts published continue to be available. Those books are:

Nighthawks by Evan Guilford-Blake. Evan continues to get produced here and there and around the world. Check out this play. It's a lovely piece of drama.

The Comic Flaw by Alan Berecka. I've recently described this as "Sh*t my Dad Says only in poetry." Except it's the whole family. Alan isn't all laughs, as he usually turns the hysterical anecdote into poignant human commentary---which is what makes him brilliant. It seems this book has a special resonance with people who grew up in a strongly ethnic, Roman Catholic family, but that doesn't describe me, so the appeal is broader than that. I'm just saying, in case a Roman Catholic from a distinct ethnic heritage is reading. (There are rumors of a second Berecka collection coming in 2011 --- get this one now so you don't have to buy too many books at once!)

Necropolis by Jill Alexander Essbaum. Jill is the superstar of the neoNuma fold. She had a poem in the 2010 Best American Poetry and her name is on the cover of the January, 2011 issue of Poetry Magazine (on stands now). She's even in a text book, now. I forget which one. A Longman anthology, if I'm not mistaken. Anyway. I'm biased, but I still love this collection best of all, dark and brooding as it is.

The Fatal Gift of Beauty and Other Plays by Christopher E. Ellis. Christopher isn't as produced as Evan, but these plays are such little gems of theater. The title play is a tour de force for two young actors. Give this a chance, especially if you're in the theater world and have need of short plays. There's some beautiful stuff here.

Able to... edited by Neil Ellis Orts. This was the first venture into literary publishing and I only have the rights to publish these stories through the end of 2011, so if you're interested, get it in the next 12 months. These stories about people (not superheroes) with super-powers still remain close to my heart. I always feel like they never found their audience. Poignant, horrific, wonder-filled, funny . . . they run a gamut of emotions. Perhaps that's its weakness---to many flavors between one cover---but I've always thought variety was a good thing. Check it out and see if you can't be persuaded. You'll believe a man can glow. And that a boy can run on water. And a girl can speak flowers. Among other things.

And if you've found this blog while looking for the old neonuma.com and you're needing to contact me, here is one place to do so, or you can reach me at neilellisorts (at) yahoo dot com. (The neo@neonuma.com address died with the website.) The P.O. Box remains available for contact as well:

P.O. Box 460248
Houston, TX 77056

These are rare gems of books and I'm so proud to have presented them to the world. If you haven't yet, won't you purchase one (or more) soon?

This, That, and (mostly) The Other Thing

Candace Chellew-Hodge and Bulletproof Faith

For my semi-regular gig at OutSmart, I got to interview Candace Chellew-Hodge, author of the new book, Bulletproof Faith. I've "known" Candace for a decade or more at this point---I've written several things for her webzine, Whosoever, and I've participated in her listserv, but I've never met her and until this interview, I've never spoken with her on the phone for longer than maybe 5 minutes (and maybe twice at that).

I had a good time talking to her. Listening to the recording, I was suprised to hear how much we laughed. Of course, as I'm editing the conversation for the magazine, we're going to lose a lot of that laughter, I'm afraid. I only have space for about 750 words and the point of the interview is her book, so as I focus the interview, I'm losing some of the fun stuff.

This is a hard lesson to learn as I'm doing more interviews for OutSmart. When I interviewed Tony Kushner, I felt like some of the fun we had got lost in the interest of space and focus. Perhaps this is how it is in this biz, to which I'm new. Maybe someday, I'll get to do one of those sprawling, ten page interviews you see in national magazines, but I guess every form has it's limitations.

But while I'm on Candace, I'm excited that I will finally get to meet her in November (the same month her interview will run in OutSmart). She'll be in Houston doing a workshop at Grace Lutheran Church on November 8. I hope we'll laugh as much (and more) in person as we did on the phone.

I've Been Quoted!

One of the first books I reviewed for OutSmart was Robin Lippincott's In the Meantime, which was just released in paperback. I picked up the paperback at the store where I work the other day, just to see the new cover that is on it. I then flipped to the first few pages of the book, just inside the front cover, where there were a couple of pages of reviews for the hardcover edition. Lo and behold, there's my review from OutSmart! My name isn't mentioned, just the magazine, but this is the first time this has happened. It feels like some sort of validation of my existence. I mean, I write these reviews and I sort of expect no one sees them. But someone saw this one and quoted it! I literally jumped and down and clapped my hands.

It takes so little, I know . . .

Nick Cave and Necroplis

For those of you who have gotten your copy of Necropolis, you'll note that it is dedicated to Nick Cave. Poet Jill Alexander Essbaum is a bit of a Cave groupie, which is to say she's seen him in concert so often that he's started dedicating songs to her from the stage. Deadheads have nothing on Jillie's devotion to Cave.

So I had a message on my voicemail from Jill, telling me that she was able to put a copy of Necropolis into Nick Cave's hands at a recent concert somewhere in North America (I can't keep up with Jill's travels anymore).

All of which is very cool. Maybe Nick will start to endorse it in his travels . . .

Nighthawks in November

Nighthawks by Evan Guilford-Blake looks on target for a November release. I suppose it's time to offer a pre-pub special. It's going to retail at $14.95, so let's say that if you order it before the end of October, you can get it directly from me for $10.00. It's a lovely piece of theater, hard and compassionate. Issues of prejudice of all sorts permeate a cast of oh-so-human characters, as their hopes and dreams are exposed and sometimes crushed before our eyes. If you ever wondered what those four people were doing in that all-night diner in Edward Hopper's painting, this is the play for you. Email me at neo (at) neonuma.com for more information about pre-pub orders.

October Writing Marathon

It's nearly time for another Writing Marathon. It'll again be at the Montrose Library here in Houston, on October 25, 10:30am-1:30pm. I'll write more abou that in a week or so. I think I'm calling it The Post-Ike, Pre-Spook Writing Marathon.

December Holiday Salon

I mentioned it some time back. I should mention it again. And I have tons to do on it . . . but it will be December 6, 3:00pm-6:00pm, at Sauté, 2303 Richmond, here in Houston. Jill Alexander Essbaum will be there reading, as will be Alan Berecka, another poet I'll be publishing soon (that reminds me, I need to make an official announcement about that). I'm talking to other artists, but nothing set in stone at this date. But put it on your calendar. It's going to be a good time and a chance to get some autographs and deals on neoNuma books.

(y)IKE(s)!

Oh, yeah, you may have heard about this hurricane, Ike? It's still a bit of a mess here in Houston three weeks later. I can't imagine what it's like farther down I-45 in Galveston. We're slowly getting back to normal here, but I think most of Galveston is going to be looking for a new normal. And then I would hear from people in Chicago who were experiencing flooding due to Ike a couple of days after it passed us here. That was one mean mother of a storm. Keep the coast in thoughts and prayers. The recovery isn't going to all happen at once.

That's enough for tonight. Maybe if I blogged more often, I wouldn't have to write so much at one time, eh? But hey, I've been doing better than once a month lately. Baby steps, you know?

Houstonians, Mark Your Calendars

December 6, 2008
3:00-6:00 p.m.
The First Annual neoNuma Arts Holiday Salon

Other details being hammered out, but the point being, it will be like a big book signing. Not all neoNuma authors will be there, but some will and they'll be reading and signing books, and I'm looking into other attractions (maybe some music?). It should be a fun, artsy way to spend a Saturday afternoon.

~~~~~~~~

In other news . . . I'm working away on Nighthawks, now that Necropolis is out in the world. (have you secured your copy?) It's only been a year since The Fatal Gift of Beauty was published (have you secured your copy?), but I'm being reminded how much work goes into formatting a play. I haven't done that many kinds of books yet, but short of heavy graphics, I have to say that plays win the tedium race. Not that I'm complaining. I wouldn't do it if I didn't think it was worth it. It's just that there are a lot more elements to play layouts than a straight ahead prose or poetry book. Speakers, stage directions, all kinds of little cues to help the reader (especially the non-theater professional reader) see the script on stage, hear the actors, get the rhythm of a scene. The playwright does some of this, of course, but my task as editor is to make sure it all translates to a general audience.

What is fun about the process is how much time I get to spend with the words. When I first read Evan Guilford-Blake's play (based upon the Edward Hopper painting), of course I liked it. I wouldn't be telling you about it now if I hadn't. But now that I have to go through the play line by line, it's fun to see the craft of playwriting up close.

Playwriting is all about the sound, of course. In that sense, it's not all that different from poetry, except the sound has to sound like speech, and what's more, each character has to sound like an individual speaker. There can be heightened language, as in poetry, but it has to fit a character. Evan does that nicely with these characters. I can tell he heard these characters in his head and he worked hard to make sure we could hear them, too. Now, that means there's some dialect in this script. Conventional wisdom says (at least among prose fiction writers) that if you can avoid dialect, do so. Convey education or regionalism with speech patterns or other descriptive words, but avoid the contractions and misspellings that can make a reader go crazy trying to decipher words.

Evan uses dialect. He conveys characters with misspelled words. And I don't think you could get the sound he has in his head without it. "Okay" doesn't tell me the same thing about a character that "Ah-kay." does. I think (and I hope casual readers will agree) that Evan gives us these clues to the characters' speech patterns without making our eyes stumble---or if we stumble, we re-read it, get it, and get more than the simple words on the page tell us.

There's much work to be done on this book, but I'm finding it very enjoyable labor. This is going to be a fine addition to the neoNuma catalog. Keep watching this blog for announcements about availability.

-Neil